Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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william r clark
fohn forres expedition rastar nara murchison flodes kallor under farden 1874 fran vastra australien till telrgraflinjen soder om alice springs.
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ID: 59336

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william r clark fohn forres expedition rastar nara murchison flodes kallor under farden 1874 fran vastra australien till telrgraflinjen soder om alice springs.


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william r clark

1829-1912  Related Paintings of william r clark :. | nansen har sjalv gjort den har teckningen av manringar och skuffmanar under en palarnatt i november 1893 | polarfrskning under det tidiga 1800 taler | carsten niebuhr var den ende av fem danskar som kom levande fran en resa till arabien ar 1761 | livingstone halsas av hovdingen i en avlagsen djungelby | endasr 400 |
Related Artists:
Osborn, Emily Mary
English, 1834-1893
Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,






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